THE WHITE TIGER

Since its Man Booker win, Aravind Adiga's The White Tiger has sold over 285,000 copies in the UK alone. It has been sold to publishers for translation in over 26 countries.

I first read the book in May this year (and have been meaning to blog about it since then!), loved it and gave it a glowing review in the paper. When I visited India in June, I saw it had significant shelf space in the some of the hole in the wall bookstores you find next to the dhabas. It was a sign the book had arrived, well before the Booker judges ruled.

Aravind beat off competition from five other authors, including Amitav Ghosh, to win the prestigious literary prize this year. Judges felt the book won in the end because it "shocked and entertained in equal measure."

Michael Portillo, chairman of the judges said that through its protagonist Balram Halwai, "the novel undertakes the extraordinarily difficult task of gaining and holding the reader's sympathy for a thoroughgoing villain. The book gains from dealing with pressing social issues and significant global developments with astonishing humour."

I'd interviewed Aravind for another story after the big win. For those of you who missed it, here it is, in continuation of the spirit of sharing.

Q : Are you still surprised to see how well The White Tiger has travelled? Is the Booker recognition sinking in?
A : Yes, I'm absolutely delighted. It's my first novel: I had no idea how it would be received. Every young writer dreams of being on the short-list of the Man Booker Prize; I'm overjoyed that the White Tiger made it there.

Q : What about critics' reactions about the other India - the no saffron, no ornamental prose, no silk saris etc?
A : The book is set in the country I live in; and the problems that Balram Halwai, my protagonist, grapples are the problems that millions of Indians grapple with every day. Far too many Indian novels deal only with the middle-class. That class is real, but it covers only maybe one-third of this country. Below the middle-class starts another, greater India, of many hundreds of millions: men and women who are all but invisible in most Hindi films and English novels that come out of India. If this underclass is depicted, it is depicted incorrectly: the poor are sentimental, humourless, and obsessively religious weaklings who beg for the readers' pity. I've tried to capture a voice from the underclass that should delight, provoke, and disturb my readers.

Q : As a first time author was it hard to get your book published? Any painful rejections?
A : Yes, I've been rejected many times. It's especially a problem when you live in India, with no real community of writers or critics around you - there is no support network when you face rejection. But failure forces you to confront the core issues: why do I write, and what do I want to write about if no one, absolutely no one, will ever read my writing?

Q : I still marvel at the fact that you managed to balance your journalism with your fiction. Did the two ever get in each other's way?
A : I've always wanted to be a writer - there's never been any doubt in my mind as to which calling was more important. But you can't support yourself by churning out unpublished novels; and there is the danger that you get trapped in a room if you are just a writer. Journalism paid the bills, and gave me a chance to travel throughout India; it also forced me to overcome my innate shyness and talk to people. I always knew, however, that one day I would give up my job to write. I resigned from TIME magazine at the end of the 2005 to concentrate on my writing. Now I'm doing more journalism again.

Q : You've said Balram Halwai is a composite of various men. Who are some of these men? Did you entirely fictionalise the character?
A: Yes, Balram Halwai is a composite; many different men have been blended into this character and his voice. One example: some years ago, during my stay at a corporate guesthouse in Bangalore, I made friends with the cook, who was from Bihar. We got along famously. None of the other guests paid him any attention, but I found him delightful. He wanted me to buy him mutton (which was too expensive for him to get on his salary); in return, he told me stories about the rich men who had stayed at the guest-house, including one of India's most famous tycoons.
"The rest of the world thinks of that man as a saint," he said, "but I know the truth."
"What is the truth?" I asked him, as he was licking the mutton off his fingers.
"He makes his servants shampoo his dogs." He scowled in disgust. "What kind of human being forces another human being to clean his dogs?"
This became an episode in my novel; and the Bihari cook's tone of contempt towards the rich strengthened Balram Halwai's voice.

Q : What about Ashok? He has his moments, though the lesser ones seem to dominate.
A : I've never thought of Ashok as an evil man; he has quite a bit of myself in him. He's liberal and essentially decent, as most of the middle-class is in India; but he is weak. He recognises the political system around him as corrupt and unjust, yet allows himself to be sucked into it: when his wife is involved with a fatal accident, for instance. Far too many of the liberal middle-class know that something has to change with the system, but they also know, secretly, that the corruption of the system will work in their favour if they get into trouble. This reduces their incentive to change how things work. Therein lies a great danger for India: because in the end, a bad system will bite everyone, the rich and the poor alike. And indeed, the middle-class in India, people like Mr Ashok, are as much the victims of the system as the under-class, even if they haven't yet realised it.

TIME FOR Q&A

Slumdog Millionaire is anything but an underdog film. Its made the critics sit up and take notice. But the film wouldn't have happened if not for Vikas Swarup's book Q&A.

Recounting an earlier interview done for my book show Off The Shelf. Yes, it was many Christmases ago.

Vikas Swarup, India's latest literary sensation earned a whooping six figure advance for his debut novel. Interestingly titled 'Q & A', the book has already been translated into fifteen languages.

And that's not all, a Hollywood movie based on the novel is already in the works. The book recounts the adventures of Ram Mohammad Thomas, who makes off with the jackpot on a quiz show called 'Who Wants to Be A Millionaire'.

A charming book, made even more fascinating by the name of its protaganist. Between travels to Pakistan and Afghanistan, diplomat and author Vikas Swarup takes the time for this exclusive chat with Deepika Shetty.

Q : Vikas, why the name Ram Mohammad Thomas?
A : I wanted him to represent the richness and diversity of India, not just as a cliche.
And if you read the book, you'll see the name means a lot in the book. Ram Mohammad Thomas is not just a name.
He actually uses the three elements - the Hindu religion, the Christian religion and the Muslim religion when he interacts with various characters.
So for his Muslim friend Salim, he becomes Mohammad, for the Australian diplomat he becomes Thomas and for the Indian actress who is wary of keeping a Muslim servant he becomes Ram. So he does utilise his name to meet various circumstances.

Q : What was the inspiration for your plot?
A : I had come across a news report some time back that slum children had begun using a mobile internet facility.
That is what set me thinking because normally you associate the internet with a certain level of sophistication.
You would expect people who are well educated, who read newspapers who would use the internet and here you had children from a slum who had never gone to school, had probably never read the newspapers, who were logging on to the worldwide web.
And that set me thinking that perhaps there is some innate ability in all us, that given the right opportunity can surface.
At the same time I wanted to tap into this global phenomena called 'Who Wants to be a Millionaire'. This is really the first televised globally syndicated quiz show.
So the idea was let's juxtapose the quiz show with a rather untypical contestant and that's why you had Q & A.

Q : You are a first time novelist, did you imagine the book would be this big?
A : No, never. In fact when I wrote it, I wrote it primarily as an Indian book for an Indian audience. I had no idea it would be picked up publishers everywhere and would emerge as a global novel.

Q : Critics have called your book 'sweet, sorrowful and compelling'. In fact, your writing style has even been compared to the bestselling author Mark Haddon. That sounds like a dream come true for any author. How do you feel about all the positive reviews?
A : I feel very, very gratified. I wrote this book primarily for myself. The book is about an Indian milieu, its set in India.
There is no attempt to exoticise places, it deals with the sordidness with India in a certain sense, the underbelly of urban India.
In fact, there is no attempt to pander to Western audiences, which is often a charge levelled against Indian authors who have an eye on the Western market.
So the fact that this has been accepted so willingly, and before the English publication, that is the best thing. Normally, a book becomes big in India and then its picked up by the rest of the world and then people say its all because of the hype.
And here I am an unknown author, I haven't been published in India, yet my book has been picked up by publishers from Brazil to Barcelona, that means something.
So I am very very gratified. I suppose the reason for that is that maybe at the core there is something universal about the book - its about the underdog winning and that's something that appeals to people in all cultures and communities.

Q : How long did it take to write it?
A : The actual writing took me only two months. I wrote this towards the end of my posting in London, when my wife and children preceded me to India and I was to go back to India after two months. That's when I decided to try my luck at writing and it just happened.

Q : Wow! What about the movie, were rights snapped up even before the book was out?
A : Absolutely! Film Four - they were very interested in the book. They felt the plot was compelling and that it would easily translate into celluloid. They snapped up the movie rights within a month of the acquisition of the book by Random House.

Q : Continuing our Q & A, are you already at work on your next novel?
A : (Laughs) No, I am at work in the office and I think I need a little bit of R&R (rest & recreation) before I start work on my next novel.

Q : You are a career diplomat in India, how did writing happen and how do you even find the time to write?
A : I suppose that is one of the big mysteries. I suppose all of us have some free time on our hands, diplomats do when they are posted abroad.
In India, of course its a nine to nine job and so there is no question of thinking anything beyond non-fiction. When we are posted overseas, we do have the time. It all depends on how you want to use it, some choose to spend it watching movies, reading books or with the family.
Since my family was away for two months, I decided to use my time thinking about a book and writing about it. I don't know if I'd be able to do this thing again in two month, maybe my wife has to go away again.

Q : What have been the influences on your writing, any writers you admire a lot?
A : Well, I've read a lot of writers over the years - everything from Albert Camus to James Hadley Chase. Subconsciously what you consider to be good writing does have an influence on you but in terms of writing style, I don't think you will see echoes of any particular writer or style.
I have written as only I can write. If I wanted to copy a writer, I don't think that's possible, you can only copy a plot. If you have a unique plot, like mine, then you have to write in a new style altogether.

Q : Did you have to deal with rejection in any form when it came to publishing 'Q & A?
A : No that's the surprising thing. I think I've been a very lucky writer. Basically I wrote four and a half chapters and sent it off to 10 agents.
I picked up the 11th agent off the internet, he liked the book and I had a deal. I am really one of those lucky authors who does not have a pile of rejection slips in my cupboard.

Q : Since you have no rejection slips, what would you say to aspiring writers?
A : Always chase your dreams. If you want to be a writer, then don't get disheartened by the first couple of rejection slips. As I have discovered it takes just one good agent to help you make your mark in the world. But the important thing is that your product must objectively be good.
There are writers I am sure, who think they have written the next Nobel Prize winning novel, but maybe the novel is not so good. So get objective advise. Consult your friends, your colleagues, consult those who read books and if they like your book then I don't think you should give up, you should keep on trying and I'm sure you will hit the jackpot someday.

Q : And before I let you, I just can't resist this question - will be see a Bollywood remake after the Hollywood version is out?
A : I certainly hope so.

BLOOKED

26-year-old Meenakshi Reddy Madhavan.
Read all about India’s first big blog-to-book phenomenon on Tehelka.

TALKING BOOKS

Long overdue thanks to Zafar for this.
He talked books with me a long time ago and the interview appeared in India Se.
Read it all on his blog.

IT'S HAPPENING

The thousand mile journey begins with an idea.
An idea it is again. It is exciting, I think.
You'll be hearing lots more of it, in the days ahead.
As we liked to say in my past telly avataar - Stay Tuned.

LOOK, WHO'S IN TOWN

Whoever says nothing literary happens here, should take a good look at this.
After hosting Shashi Tharoor and Shobhaa De, they've got Anita Desai.
Circle Aug 23, 6:30pm and make it a literary date to remember.

A MOMENT IS ALL IT TAKES

There have been many times when I've felt like blogging is a dark hole. Information posted, posts updated, perhaps read, often unread.

Of late, there have also been many moments when I have wondered about the point of this blog. For those who have followed it and reminded me of the serious lack of updates, I plead guilty.

Over the years, I have appreciated your comments, your criticism and sometimes your appreciation.

But the time you know a blog post has worked, is when you get a mail like this. It came in response to a post done well over a year ago. Like the phone call that travelled to many places, so did this email. It made me cry, like these things always do. And it made me remember once again about my colleague, Chin Chye. Like his death, his first death anniversary went silently by. But I take heart knowing he is still remembered.

"Dear Ms Deepika Shetty

You don’t know me, but we both know someone dear to our hearts – he is Chua Chin Chye.

I just found out today that he has passed away. Shocking news for me! If I didn’t read it from your blog, I wouldn’t have known.

Naively, I had sent an email to Chin Chye to invite him to a press lunch for one of my clients. I got no reply, quite unlike the Chin Chye I know. Then I wanted to call him on my mobile and found out for some strange reasons his number has disappeared from my phone directory. Then I called Mediacorp, only to be told diplomatically by the telephone operator he no longer worked there.

We were both at The Straits Times and then at The New Paper - he taught me the finer points of being a good crime reporter.

What I remembered Chin Chye most was his wry sense of humour and especially his funny grin and the twitch of his eye-brow when he wanted to make a point.

I only have happy thoughts of him. I refuse to let the pain inside me well up, because that is not the way he would have wanted me to remember him by.

“We love you Chin Chye”."

Ronald Wong
Group Account & Regional Development Director
MILEAGE Communications Pte Ltd

In May 2007, this was the post:
FOR CHIN CHYE

I leave with a heavy heart. One of my colleagues Chua Chin Chye passed away. He sat opposite me. Each morning after our work was done, we'd relax, catch up on the news of the day or the way the property market was doing. Of late though, he was getting increasingly tired, sleeping a lot more and often missing his medication. He'd been battling diabetes and we'd all remind him to eat right and take his medicines on time. He'd brush it off saying, "aiyah! it's only a curry puff."

Who knew things would change so drastically.

After going in and out of hospital, he was warded for almost four weeks. We thought he was on the mend. Unfortunately, it was not to be.

I did a search to find a picture of him and came across this piece. It was penned when we were all asked to remember our most memorable moment on the show.

Ironically, here's what Chin Chye wrote:
"But torture can be mollified, after half a year, and even lead to a source of delight -- when you get first-hand accounts of what has just happened in the world...while others slumber. The most poignant moment, perhaps, was during the Israeli-Palestinian conflict... where after relentless attacks, that killed thousands of men, women and children.... the carnage led Palestinian leader Mahmoud Abbas to cry out loud, "Are we children of a lesser God?"

Cause and effect. Producing the news is constant reminder that what goes around, comes around -- pretty fast, too. Each morning, scrolling through the news wires and videos, you see pictures and sounds, of the crises and chaos, big and small, that grip our world.

In any case, not everything gets on air. The happenings of the world, trials and triumphs, sometimes reduced to a few paragraphs on a morning bulletin. Or nothing, at all."

Revisiting this piece, I wonder, if he had a premonition?

It's hard to look at the chair he's left behind. The void can never be filled.

We can do nothing to bring him back, but we can treasure his memory. Email me at deepikashetty@hotmail.com if you have a thought to share.

Post Script, 23 May, 2007: Thank you all for your emails. For taking that moment to pause and reflect. For reminding me once again how words often fail in times of grief. And for bringing your pen to paper....

"It was not easy to see Chin Chye wasting away, but he always kept up a brave front.
I will always remember him for his strong spirit.

If he's listening in now from way up there, he must be sighing in relief to finally be rid of our nagging to stop eating out; to get a caterer; to take up tai-chi... it was a long list. His seat may be empty, but he is still very much a part of us."
- SUSANNA KULATISSA

WHERE HAVE YOU BEEN?

A lil bit here, a lil bit there.

A new job, grappling with its systems, travelling.

Such be the excuses of staying away.

Promises of regularity, I wish I could make.

But the work week has only just begun after a lovely two weeks in India.

Try I will.

Till then I suggest, you read:
The White Tiger by Aravind Adiga
Superstar India - From Incredible to Unstoppable by Shobhaa De
The Death of Vishnu by Manil Suri
Reading Lolita in Tehran by Azar Nafisi
Sea of Poppies by Amitav Ghosh

SINGULARLY FUNNY

It had to be a book which would bring me back to the blogosphere.

The excuses, of which, there are many, aren't worth narrating, so let me get down to the book.

I saw it at my fav book store - Capital, Sec 17, Chandigarh, on the annual Bharat darshan, of course.

It was cheeky. A sari and sneakers.

I've got to admit, till then I hadn't heard the name Advaita Kala - my loss, of course. A fortnight sans connectivity meant waiting to find out all about this rocking author.

Decided to give Almost Single a shot the evening I bought it.

As it always happens with a good book was up all night. It turned out to be a riveting read. Added bonus - seriously funny too. When was the last time I'd laughed this much. It had to be Anurag Mathur's Inscrutable American and that was many, many years ago.

Keepng you rolling in laughter is the story of 29 year old Aisha Bhatia, her lack of vital stats, when half of India's masala mags (yes, indulging in that mindless gossip is a guilty pleasure) are obsessed with Kareena Kapoor, her two hours of yoga and her size zero, provided just the reading change I needed.

But Almost Single isn't just about witty one-liners, the plot is taut as is the narrative which makes reading a breeze. The book lives up to its cover. Ms Bhatia does appear in the sneaker-sari outfit - what a refreshing sight indeed.

The mismatched outfit unravels the story of her topsy-turvy life, her boss from hell, the bitches on swtiches, her search for love, guru and all, makes Almost Single a superb read.

One sitting is all it takes to get to the end of it and not one bit of it disappoints.

What makes the author and her book all the more real, is her blog. In this post, she takes readers through the publishing process. See the comments that follow. They do say it all.

The Washington Post calls it "India’s cheeky ‘Chick Lit’."

A worthy successor indeed to their Bridget Jones.

More on the book and the author here. Get your copy now.

Writing across media

As part of Wordstorm, the NT Writers' Festival, we are in a workshop with Deepika learning about writing across different media: print, tv & blogging. We are under the trees gazing out across the Arafura Sea with a cool breeze and a glass of wine. As you can tell we have learnt a lot about telling the truth when releasing a news story.

A MASTERCLASS

Linda Grant has won several awards, most notably the Orange.

You wouldn't want to miss her masterclass that's being brought to Singapore by the British Council together with the NAC and the Arts House.

It's happening Tuesday, 26th Feb at the Arts House.

Call 6332 3919 or email enquiries@toph.com.sg to register.

WRITERS CONNECT:
And if the masterclass gets you going, make sure you make it for Writers Connect on Thursday, 28th Feb.

Also at the Arts House at 7pm, do bring 6-8 copies of a short piece of writing and spend an evening giving and receiving feedback. New and experienced writers welcome.

Call 9101 1844 or email Chris-Mooney Singh 9101 1844 if you need to know more:

ANOTHER DISCOVERY:
They've given us some of us finest documentaries, now, Discovery Channel presents its magazine.

Discovery Channel Magazine is a bi-monthly magazine will hit the newsstands around the region on 22 February 2008. It will debut with an initial circulation of 100,000 primarily in Hong Kong, Singapore, Malaysia, and the Philippines. It will also be on sale in China, Indonesia, Japan, Korea, Taiwan, Thailand, and Vietnam. There are plans to roll out to other Asia-Pacific markets later in 2008.

Tom Keaveny, executive vice president and managing director, Discovery Networks Asia, says, "The Discovery Channel Magazine is a natural extension of our successful brand beyond TV and provides our viewers with the ability to take Discovery Channel everywhere they go. This partnership taps the synergies and strengths of both Discovery and Reader’s Digest – both have a long history of compelling story telling and quality content – and ultimately, the consumer will benefit from an excellent product.”

Can't wait to see, read and tell.

FROM SOMETIME AGO...

TOM ISAACS AND VIKRAM SETH:
Where Seth was the moderator.
VS: Why were you wandering around in Sri Lanka?
TOM: Everyone who has been to Sri Lanka absolutely raves about it, then you read the newspapers and get a totally different picture. But someone told me the other day that Washington is the most dangerous place in the world.
VS: For the rest of the world, yes.

SHYAM SELVADURAI
Start with Funny Boy, then head to Cinnamon Gardens.
"To pick up a book and read it, you have to be willing to enter it."
"Writers alone can't change things . It's not that we don't want to change things, but as a writer you can't over-estimate yourself and you have to make sure that your voice doesn't get too shrill."
"You have a writing style, it's like your voice, you can't change it, really. Once you have the material, you need to intergrate it but your voice will stay yours."

KAMILA SHAMSIE
If you haven't already read her, get started:
"You can't put the burden on a book to change things. The culture and politics of a society also has a role to play."
"I don't think more novels are going to change things around us. I write because I have to write. And I read because books make me think and re-think. Reading a novel is such a personal act, while writing a novel is like a sprawling moment."

ALEXANDER McCALL SMITH
"Nothing nasty happens in my books, in fact nothing happens at all. It's just lots of interesting characters moving in, out and about."
"I often get letters from readers around the world asking how long does it take to get a mechanical apprenticeship in Botswana?"

GORE VIDAL
"We use democracy like ketchup, over everything."
"I recommend you read Aristotle's Politics, it takes more shortcuts than I do."
Simon Winchester to Gore Vidal: Do you love your country?
Gore Vidal responds: Anyone who loves a country is insane (laughter and clapping). I'm obviously in a room full of individualists.
On US policy or lack thereof:
"We have no policy of our own. The amount of money we've lost on mad cap adventures in Asia will take generations to rebuild. (pauses) We wait for time's chariot to pass."

VIKRAM SETH ON THE SIZE OF A SUITABLE BOY:
"Travellers take it out of their luggage and take it as their hand luggage. They just use it for one purpose or another, I imagine."

CARL MULLER'S CONFESSIONAL:
"I was young and utterly despicable. I was put in a jail in Bombay after being caught drunk in Eros Cinema. I wrote an article called 'The Fourth Floor,' I was arrested again and put back on the fourth floor. The cops locked and handcuffed the door. That was the first time I'd seen cockroaches the size of poppadoms."
His musical notes:
"I started because it was too painful to listen to my sisters playing the piano. They could only play two notes and they'd play them all the time. My international debut was when I was in Sharjah, I had to chase the dancers off the stage as half the Kandiyan dancers were pregnant. Who the hell sent pregnant dancers to do a Kandiyan dance? I had to go and play next."
Crashing PCs:
"I crashed my computer so many times that I had to stick a sign before attempting to turn it on - RTFF. Read The F******* Manual."
Writing:
"I love to write, it's in my blood. I wrote stuff for newspapers, I wrote articles on nature, I simply wrote all the time. I sent some of my articles to Penguin and they sent it back saying, you write well, you should write something like Ondaatje's Running in the Family. I said I have the whole family that has run me out, so it shouldn't be a problem."
On his next book:
"I am writing about the president of a country which is tied like an undersea elastic to India. The Book is called 'The Incredible Adventures of Mr Hindama.' No publisher in Sri Lanka wanted to publish but one brave guy in Chennai agreed to do it.

THE MAN OF THE MOMENT

"Whatever happens, Mr Obama is already that rare thing —a political phenomenon. It is not just that he has managed to survive the Clintons' crude onslaught with grace. He has persuaded huge numbers of people around the world to reconsider politics in an optimistic way. To many Americans, a black man who eschews both racial politics and the conservative-liberal divide is a chance to heal the country's two deepest divisions. To many foreigners, he represents an idealistic version of America—the hope of a more benevolent superpower."
Not in entire agreement with the rest of The Economist opinion, but this certainly rings true.

GRIN & BEAR IT

Strange things have happened on my panels before. Writers have fallen in love, writers have fallen out of love, writers have wanted to make love, in one instance, one very famous author tripped and fell, another had the mike fall in his lap. The wine has resulted in slurry speech and even slurrier thoughts.

But never before has a very, very famous author wanted to pronounce judgment on the state of my teeth.

Nury Vittachi has already narrated the story
'VIKRAM SETH doesn’t have a reputation for being easy-going, and referred to himself during an on-stage interview as someone who used to be “touchy”.

But he won the hearts of the crowd at the Sri Lanka festival. He was treated like a rock star, with huge mobs attending his every move, and he responded by providing high grade entertainment.

At one point, he told an entertaining story about a relative who was a one-armed dentist. To illustrate the challenges involved, he put his arm around the head of moderator Deepika Shetty and duly inspected her back molars.

What the author didn’t know – but many of the rest of us did – was that Singapore journalist Ms Shetty has just completed a lengthy dental treatment which involved carrying around a quarter of a ton of metal in her mouth for more than a year. Thus his good reports about her dentition carried great weight.'

Shelley Keningsberg has captured the sequence of events which started when we were talking about 'Two Lives' and the conversation veered towards Uncle Shanti and Aunty Henny. Seth was trying to explain what the loss of Uncle Shanti's right arm [he lost it during the war] meant. He paused to ponder, the next minute, he was up and about;

'Deepika, will you let me examine your teeth'
Sitting at the Hall de Galle stage, with a crowd of 500 in attendance, it was impossible to run for cover, so I responded....
'Vikram, if only I knew this was going to happen, I would have been sure to brush my teeth.'
'Don't worry,' he assured me, 'I won't reveal the state of your inners to anyone.'

He was as good as his word, he didn't. While the teeth look a tad too perfect now, there is an offending molar. I'll be sure to fix, before I meet Vikram next.

For those of you who haven't heard it, he is due to appear at the Ubud Writers Festival next. Be sure to look out for the dates in September/October.

You can take it from everyone who has met him, heard him, read him, taken a picture with him, Seth is worth your airfare.

Till then, enjoy these....

A thinking dentist...

Gets ready for the dental examination....

The way it works from the right...

Now, for the left...

Someday, I'll laugh about it too....